TODAY IN “MILOSAO” / BY GEZIM QENDRO TODAY IN “MILOSAO”/ BY GEZIM QENDRO The anatomy of the nostalgic socialist image Supplement
“59.5 m. Formalism...” In place of the letter BY GËZIM QENDRO
Kavajë 47-year-old dies, PS: The police are to blame. Brother: There are no signs of violence On page 5
Works of Socialist Realism are called formalist BY DR. GËZIM QENDRO Years ago, during the Great Proletarian Cultural Revolution, an American journalist, taking as his starting point the length of the wall in Beijing where dazibao could be posted (the Chinese counterparts of Alban
The farewell to Cy Twombly and the tradition of neglect BY GËZIM QENDRO
FAREWELL REXHEP FERRI: GËZIM QENDRO WILL BE MISSED BY ALBANIAN ART ► PAGE 14
Gëzim Qendro on Ardian Klosi. Communication between Greeks and Cham Albanians MILOSAO/ RARE DOCUMENTS MILOSAO ARBËRIT WITH VENEDIK’S EYES WHY DID VENEDIK SEND KAZANOVA TO ALBANIA Gëzim Qendro on Ardian Klosi Communication between Greeks and Cham Albanians Supplement
Gëzim Qendro on Ardian Klosi Communication between Greeks and Cham Albanians MILOSAO/ RARE DOCUMENTS WHY VENICE SENT CASANOVA TO ALBANIA Gëzim Qendro on Ardian Klosi Communication between Greeks and Cham Albanians Supplement
THE UNTOLD STORY OF ‘98[?] THE UNTOLD STORY OF ‘98 Arts in mourning, critic Gëzim Qendro passes away, Edi Rama and Kumbaro: Irreplaceable On page 20
THE UNTOLD STORY OF ’98 Art in mourning, critic Gëzim Qendro passes away, Edi Rama and Kumbaro: Not irreplaceable On page 20
Milosao Professor Kristo Frashëri’s analysis as a reply to historian Oliver Schmit Why is there a debate about the names of Skanderbeg’s family?! Inside: A story by Mira Meksi. In memory of Gëzim Qendro By BEN ANDONI A few days ago, Gëzim Qendro, scholar, art historian and transl
MOSAIO Analysis by researcher Gëzim Qendro on the painting by Spiro Xega in 1930 Creativity/ Henry Troyat tells of Godunov, Manuel Rohas: Glass of milk Show me an angel and I will paint it, writes Gustave Courbet in his 1855 Manifesto, defining realism in art as the will to repre
MOSAICO Analysis by researcher Gëzim Qendro on Spiro Xega’s 1930 painting Matraku, the brigand who was respected as a hero Creativity / Henry Troyat recounts Godunov, Manuel Rohas: A glass of milk Show me an angel that praises me so I can paint it, wrote Gustav Courbet in his 185
Professor Kristo Frashëri’s analysis as a reply to historian Oliver Shmit Inside: Story by Mira Meksi. In memory of Gëzim Qendro By BEN ANDONI A few days ago, Gëzim Qendro, researcher, art historian and translator, passed away. An unequal battle with cancer, one of the fiercest h
TIRANA-ELBASAN HIGHWAY/ BALLUKU: WE PUT THE RESPONSIBLE PARTIES FOR THE ABUSE BEHIND BARS The Greek company filed a lawsuit over the breach of contract, Haxhinasto’s letter to Rama about the works is revealed. LSI: Ahmetaj, Çano, Qendro and Balla should be questioned (In the phot
MILO The 1883 work, exclusive photos of the 3 children (In the photo:) “Motra Tone,” a work by Kolë Idromeno. Her children, Zef Skanjeti, Domenika and Matilda Researcher Gëzim Qendro recounts the rare history of how the masterpiece of our secular visual art was created Exclusive/
MOSAIC The 1883 work, exclusive photos of the 3 children The life of Antonia Idromeno, or the truth about “Motra Tone”, who died at 31 (In photo:) “Motra Tone”, the work of Kolë Idromeno. Her children, Zef Skanjeti, Domenika and Matilda Researcher Gëzim Qendro recounts the rare s
Maks Velo and Gazmend Bakiu: The loss of Tirana's historical heritage; QUO VADIS ALBANIAN LITERATURE - by Gazmend Krasniqi; Essay - Sokrat Paskali; The Anthology of Hope by Dr. Gëzim Qendro (The concept of the last exhibition in Prishtina by Jutta Benzenberg); Essay by Andrea Ste