At the international classical wrestling tournament "Vehbi Emre" They looked like tourists in Izmir, elegantly dressed and well-groomed, but the hardships of the past still lived on in their memories. After crossing the Albanian border, they entered the second Turkish land on the Mediterranean, and the cheerful feelings they had shared with their comrades in the past were immediately left behind in the beautiful ancient city, with the modern Turkish name of Izmir. The anniversary celebration dragged on for us too, because even on the eve of an international competition like this one of GSIA, the wrestling tournament at Vehbi Emre, our socially developed wrestlers proved themselves so well that it had never been seen before. They visited the Blue Mosque, a true marvel. In the nest with the smapul for the shoulder, in the ancient village of Istanbul, young hoxha in Trakia, bowing toward one another, left the flagstones brought over the nose and doorway for stafman and for free display. The departure and sorrow from the offices of GSIA were not felt, because historically we went through quite a lot, the walls around Arben Kola were as if it had scorched his efforts to the point of exhaustion. Azh-beri, along with the sports director and the Soviet wrestler, who was with the 6-5 requirement for the Soviet. Arben Kola faced the Soviet Audry Bezhitov. He started the match well, although he was away for a while, the first result 6-5 for the Soviet and in the second by winning the silver medal. ANTON VANE The sports club "Besëlidhja" second place by winning the silver medal.

The theatre olympiad of the district’s secondary schools was organized, but for real art, more is required. Two weeks ago we were waiting as if Ardri Akoma were about to appear. Many have seen it and many others have read Kristoforidhi’s poem with bitter addresses from the "GSKA" team. The whole city recognized this performance, achieved with a lively stage and text, but to everyone’s surprise, none of the cultural sectors came forward to offer a word of encouragement. The noise of the hall, the sharp eye of the audience, the applause and whistles for the good and the bad could not replace the artistic director’s word. Good work has been done here, but the institution and the culture ministries must be given attention. Serious efforts for theatre are being made in the schools, but the professional hand is missing. Is there enough good technique? Are stage productions needed? Can the instruments be done better? Do the actors matter? Have they come? Should the music teachers be needed? Do they go on to carry out a stage or only a melody? For pe rrehando eçko, stimulation is greater. Thus it turns out that our culture is often being treated unjustly. If the district’s creators were to appear more seriously, then an audience would also be found. That is all. It calls for a little more responsibility from the actors, directors and club officials. We are waiting to see their plans and the surprise; if you look at their plans you are surprised, but for activity. There is plenty of performing ability, potential syrjanë e realizueshëm if they were outlined. Ah, if only they were realized! Can the instruments be done? Must Buben and duhan? Did they go? Are artists needed? That would be the best answer.

FAVORS And finally, after many efforts, the enterprise case involving Gjin Luka is brought into the spotlight of criticism. We found these 2 words on the first page of the wage list of the enterprise workers. Arben Kola faced the Soviet. Arben Kola is the best athlete in the 60 kg category and defeated him. Those 2 words have become like the only decisions for replacements and evaluations. The figures do not add up, but the payments do. The cases are few, but not the only ones. If an inspection commission were to take it on, other names would emerge. Should it get this far? Let it not remain merely a complaint letter. Let the work not be dragged out with an excuse. We want to know: Who checks them? Who signs them? Who stamps them? This matter is becoming confused. The workers speak, but they do not want to be named. This is done today and tomorrow. JAK HROZHINI